Bathory

 

 

by

MARK THE SHARK

 

Revised by

CASSY HAVENS

 

 

Fourth Draft

2003-10-01

NORTHWESTERN PRODUCTIONS

(myoldaddywasntworking@hotmail.com)

-------------------------------

"BATHORY"

 

 

FADE IN:

 

 

BLACKNESS.

 

TEXT, WHITE ON BLACK. (IN ANCIENT FONT)

 

      "ELIZABETH BATHORY (1560-1613) of Hungary, known as the

      Blood Countess was real. She lived most of her life in

      the latter half of the sixteenth century. She is said to

      have tortured and killed over 650 virgin girls in order

      to bathe in their blood. Investigated for her alleged crimes

      at the beginning of the seventeenth century, she was never       convicted. Her infamy has become legendary."

 

Another SUPER appears below the written text.

 

      "This is a retelling of this legend..."

 

The WHITE TEXT turns blood red, then drips down the black screen. The CAMERA PULLS back as it reveals a full-sized rendering of the BATHORY COAT OF ARMS: the torso of a woman with outspread wings and wearing Athena's helmet above a dragon swallowing its own tail. In the middle of the circle formed by the dragon, are three wolves' teeth.

 

The OPENING TITLES are superimposed over the coat of arms.

 

STUDIO 11.14.67

presents

 

a

NORTHWESTERN

production of

 

a RIDLEY SCOTT film

 

CHRISTINA RICCI

is

 

B A T H O R Y

 

MICHAEL IRONSIDE

 

MAURY CHAYKIN

 

CAMERYN MANHEIM

 

ROMOLA GARAI

VIVIEN CARDONE

BENNO FURMANN

CILLIAN MURPHY

 

PETER STORMARE

EMBETH DAVIDTZ

 

and

F. MURRAY ABRAHAM

as "Pastor Ponikenuz"

 

casting by

CASSY HAVENS

and

MARK THE SHARK

a.c.e.

 

edited by

THELMA SCHOONMAKER

 

music by

HANS ZIMMERMAN

 

special make-up effects by

RICK BAKER

 

director of photography

FREDDIE FRANCIS

 

production designer

HENRY BUMSTEAD

 

screenplay by

MARK THE SHARK

 

executive producers

EDWARD HAVENS

CASSY HAVENS

 

produced by

MARK THE SHARK

 

directed by

RIDLEY SCOTT

 

 

Following CREDITS...

 

DISSOLVE TO:

 

EXT. CASTLE ECSED - OUTER COURT - NIGHT

 

A SUPER in the bottom-right hand corner of the screen:

 

                  "CASTLE ECSED, 1569 A.D."

 

A hot summer night. It's the middle of the sixteenth century, 1569 to be exact. ARMED SOLDIERS casually stroll about the perimeter, where the stables and garrison are.

 

Soon, the outer court is SIEGED upon by angry PEASANT REBELS, with primitive weapons, axes, pitchforks, shovels, etc. They effectively take the castle by surprise.

 

AN ERUPTION OF VIOLENCE, the peasants set fire to the granary with torches. They proceed to set fire to anything they can, and it spreads quickly through the court.

 

The madness SPREADS throughout the courtyard. Soldiers are hacked to pieces with axes, servant girls are dragged out of the castle and raped right on the spot, and skulls are SMASHED IN with spiked clubs. The brutal acts of VIOLENCE are backlit by the ROARING FIRE of the burning castle.

 

Their leader, DOZSA, leads his men through the flanks.

 

INT. CASTLE ECSED - BEDROOM - NIGHT

 

Four NURSES hurriedly bundle up three young girls: ANICHKA (12), SHANDRA (13), and a YOUNG ELIZABETH BATHORY (VIVIEN CARDONE), three beautiful young girls with milky skin and reddish chestnut hair.

 

Elizabeth is the hardest to rouse; she sits up groggily in her bed. The amber glow of the roaring fire illuminates through the windows, casting sinister shadows.

 

                              NURSE

                        (Panicky whisper)

                  Elizabeth...we must hurry.

 

She scoops up the child.

 

INT. CASTLE ECSED - SECRET PASSAGEWAY - NIGHT

 

The FOUR NURSES carry the girls through a SECRET PASSAGEWAY in the castle, leading to a small wooded area.

 

EXT. CASTEL ECSED - HIDING SPOT - NIGHT

 

The Four Nurses stuff the girls behind a brush, and they observe the chaos from their wooded hiding place, trembling with fear. They are illuminated by the fiery glow of the burning castle.

 

Elizabeth observes the chaos with a child's fascination.

 

INT. CASTLE ECSED - ENTRANCE - NIGHT

 

The Peasant Rebels STORM into the castle. They drag SERVANTS out of rooms and place them before their leader DOZSA. He unsheathes a scythe and slices open one of their throats. Ruby specks of blood SPURT onto Dozsa, and scarlet tissue seeps out of the young girl's throat.

 

The Rebels proceed to torch the innards of the castle.

 

INT. CASTLE ECSED - DINING CHAMBER - NIGHT

 

A large, elegant DINING CHAMBER with a large table, clothe with the Bathory coat of arms woven into them. A PEASANT WITH A TORCH sets fire to the table.

 

INT. CASTLE ECSED - SERVANT QUARTERS - NIGHT

 

Two SERVANT GIRLS, no older than sixteen or seventeen, are pulled out from under two beds. They are forced onto the bed and wrapped with linen. Trapped in the bed sheets, they kick and scream trying to get out. Another PEASANT WITH A TORCH tosses the torch right onto the bed. It immediately is set ABLAZE with the two girls wrapped in linen being BURNED ALIVE.

 

EXT. CASTLE ECSED - HIDING SPOT - NIGHT

 

The NURSES and the GIRLS are huddled together. Young Elizabeth is prone, watching the madness unfold before her young eyes.

 

She crawls a little further from her nurses and sisters, for a better look at what's going on:

 

EXT. CASTLE ECSED - ELIZABETH'S POV - NIGHT

 

Everything is surreal, an exaggerated take on the carnage with the Peasant Rebels larger than life. They are backlit by the roaring fires that burn the granaries and the inside of the castle, appearing has mere shadows.

 

The Peasant Rebels rape the women and kill the men with vindictive and sadistic glee.

 

DOZSA and FOUR OF HIS MEN appear out of the castle. They step right in front the hiding area, laughing and talking amongst them.

 

EXT. CASTLE ECSED - HIDING SPOT - NIGHT

 

The NURSES hold the two older girls tighter. Anichka is holding back the urge to scream.

 

                              NURSE #2

                        (Panicky whisper)

                  Elizabeth...get back here...

 

DOZSA LOOKS in the direction of the two girls and their four nurses. Elizabeth crawls near a tree.

 

Shandra lets out a cry.

 

                              DOZSA

                  Over there!

 

The MEN advance on the hiding spot. They trample through the brush. Elizabeth quickly SCURRIES up a tree, an excellent climber for her age, and perches on a high branch, as the Peasant Rebels discover the two girls and their nurses.

 

Elizabeth WATCHES from the tree as the Peasant Rebels DRAG her sisters from out of their hiding spot.

 

Dozsa's Men force the women and children into a kneeling position before their leader. They laugh gleefully at their new find.

 

Elizabeth WATCHES in horror.

 

Dozsa's tears off the front of Nurse #2's dress. She SOBS as her breasts roam free through her ripped dress. All the girls SOB with fear. The NURSES plead for their lives in high-pitched voices (overlapping):

 

                              NURSE #1

                  Please! Please! Spare us! We will do

                  anything for you! We are at your

                  service!

 

                              NURSE #2

                  Please don't harm the children! Please

                  don't harm us! We will do whatever you

                  want! Please let us go!

 

                              NURSE #3

                  My body is yours to do as you wish to

                  it! Just please don't harm us or the

                  children!

 

                              NURSE #4

                  We haven't done anything to you! Please,

                  just let us go!

 

The SWISHING of DOZSA’S SCYTHE cuts off their PLEAS. He SLITS their throats, letting the blood run down their bodies. They drop to the ground like butchered pigs.

 

                              ANICHKA

                  Do you know who we are?!

 

                              SHANDRA

                  We are Bathorys! You will pay for

                  this!

 

Dozsa's Men LAUGH and mock them.

 

                              DOZSA'S MAN

                        (mock cry)

                  We are Bathorys! We are Bathorys!

 

Dozsa stops laughing. He becomes dead serious and looks straight into the two girls. With a voice deeper than they've ever heard before, DOZSA SPEAKS:

 

                              DOZSA

                  Do you know who I am? I am Dozsa, the

                  death of nobles! I have come to avenge

                  the blood of my father and brother!

 

Elizabeth WATCHES as the shades of men SWARM OVER her sisters' bodies. The sound of silk being ripped is heard, and Shandra gives a WEAK CRY like a hurt kitten.

 

Elizabeth continues to hide in the tree and look on with a mixture of horror and fascination.

 

DISSOLVE TO:

 

EXT. ECSED CASTLE - DAY

 

The castle has collapsed, now a smoldering pile of rock; still burning. The castle has been devastated, leaving corpses and burnt castle behind. Black smoke climbs up into the air.

 

EXT. ECSED CASTLE - ELIZABETH'S TREE - DAY

 

Elizabeth comes to. She shivers with fright. She looks down a few branches below her to see ANICHKA'S BLUE EYES gazing up at her, but her eyes are glossed over, lifeless. She's dead. Her naked bruised body is hanging upside down, swaying slightly in the breeze.

 

Hanging from another tree is SHANDRA.

 

On the ground below lay the grotesquely sprawled corpses of their nurses, their throats slashed. The blood has drained at the foot of the mossy oak, turning it a rusty red.

 

Elizabeth loses consciousness.

 

FADE TO BLACK:

 

The sound of SOFT FOOTSTEPS are audible.

 

FADE IN:

 

EXT. ECSED CASTLE - ELIZABETH'S TREE - DAY

 

Elizabeth comes to with a start. She LISTENS for the footsteps. Someone or something else is definitely here. She quivers with fear, clenching to her branch.

 

EXT. ECSED CASTLE - BURNING RUBBLE - DAY

 

To Elizabeth's relief, it is a beautiful white horse. Her HOOVES thump gently against the grass, appearing around from the burning mass of castle. This horse will be later known as LUNA.

 

Luna casually ambles along the grass, grunting, making the usual horse noises.

 

EXT. ECSED CASTLE - ELIZABETH'S TREE - DAY

 

Elizabeth, taken by the horse, calls to it in soft coos:

 

                              ELIZABETH

                  Here, girl. Here, Luna. It's okay.

 

EXT. ECSED CASTLE - BURNING RUBBLE - DAY

 

Luna, the horse, looks at her with the kindest, most beautiful eyes ever. She steps a little closer to the tree.

 

Elizabeth, from the tree, keeps cooing the horse.